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Excerpt from Jeremy Packer's Mobility without Mayhem: Safety, Cars and CitizenshipFrom Chapter 3, “Motorcycle Madness: The Insane,
Profane, and Newly Tame,” pp. 122-125.
Copyright © 2008 Duke University Press On the supposedly opposite end of the
motorcycle-riding spectrum from the Hell’s Angels was a booming market of
affluent youth. The genetic outcome of normal suburban breeding, the baby
boomers comprised the first youth culture. In We Gotta Get Out of This Place (1992),
Lawrence Grossberg argues that youth signifies change
and transition, and the space that opens up between childhood and adulthood is
struggled over, usually in ways that involve, “excessiveness, an impulsiveness,
a maniacal irresponsibility” on the part of youth.”
[1]
In response to this undisciplined behavior, an attempt is made to construct
youth as a more productive population. Grossberg,
leaning heavily on Foucault’s notion of biopower states, “Youth was a material problem; it was a body—the body of the
adolescent and the social body of the baby boom—that had to be properly
inserted into the dominant system of economic and social relationships.”
[2]
In other words, each youth had to be disciplined through various apparatuses,
like school, church, and home, in order to create a social body that would be
economically and socially productive.
Most of the academic work in this area centers
itself around rock music and the various attempts to
censor or weaken the supposedly sexually explicit and socially degenerative
beat and lyrics of early rock music.
[3]
Less
importance has been placed on other youth activity of the era. Yet the
explosion of motorcycle use among youth in the late 1950s and throughout the
1960s faced similar attacks. Ultimately, highly focused policy initiatives were
aimed at curtailing the mobility of youth and were legitimated through the
rhetoric of safety. A quotation from Motorcycles
in the United States, a U. S. Department of Health, Education, and Welfare
pamphlet published in 1968, sums up a number of assumptions not only about
motorcyclists, but about the danger they represent to the social body as well
as youth’s personal bodies: “As an Auto Driver . . . Remember, the vast
majority of motorcyclists are not the dirty, rough-neck, out-law types that get
the bulk of motorcycling publicity. Most motorcyclists are young, between the
ages of 17 and 24. Many are college or high school students or people just
starting their business careers. Most are very nice young people who are
unfortunately not sophisticated, experienced motorcyclists. By recognizing that
many motorcyclists may not be fully skilled, you can take extra caution and
avoid possible accidents.”
[4]
The above quotation attempts to ease drivers’ fears
of motorcyclists, or at least a specific sort of motorcyclist, while at the
same time accepting the fact that if they were dirty, smelly outlaw types, then
it would be A-OK to ride them off the road or, at least, disregard their
well-being. However, we (the normative automobile driver) are trying to make
these nice young people experienced, like the dirty, smelly ones, so that they
will be safe. But who then is creating the problem? The angered hick in Easy Rider who shoots motorcyclists? or the untrained
youngsters?
The real enemy here is a form of mobility that
functions as the other to automobiles, which is being accessed by two
supposedly different, yet equally disruptive populations. The problem that both
groups pose is to some extent the same. It is the problem of disciplining an undocile population. The historical model that Foucault
proposes for disciplinarity is that of the confined
space: the hospital, the school, and ultimately the prison. However, these are
populations whose relation to mobility, not their relationship to confinement,
is the problem. The key aim of policy initiatives is thus to somehow produce a
more docile motorcyclist or, as some would have it, outlaw the practice
altogether.
What is unique about biopolitics is that, first, it depends upon the production
Notes
[1]
Lawrence Grossberg. We Gotta Get Outta This Place: Popular Conservatism and Postmodern Culture (New York: Routledge, 1992), 177.
[2]
Ibid.
[3]
See, for instance, the
already mentioned We Gotta Get Out of This Place, the
much-discussed work of Dick Hebdige, particularly Subculture:
The Meaning of
Style (1979), or the work of Deena Weinstein, particularly
chapter 7, “Maligning
the Music,” in Heavy Metal: A Cultural Sociology (1991).
[4]
Motorcycles in the United States: Popularity, Accidents, Injury Control. U. S. Department of Health, Education, and
Welfare (Public Health Service Publication No. 999-UIH-7, Washington, D. C., 1967), 2.
[5]
One of my high school
teachers told me the story of an assailant in a pickup truck who deliberately drove him off the road while he was riding on his motorcycle. After
pulling himself out of the ditch, he followed the driver to his home, where he
asked the man for an explanation. The driver simply stated, “I hate
motorcyclists.”
Warren La Coste (Holy Rider: The Priest and the Gang [Far
Hills, N. J.:
New
Horizon Press, 1992]) relates a similar experience: “I noticed a car quickly moving
toward me. Instinctively, I moved over, giving the driver more latitude, and
was about to dismiss the incident as mere carelessness by this driver. But the
car kept coming until I was almost forced off the road. I turned to face the driver
and was shocked to see a man with fiery red face and clenched teeth. He had a
death grip on the steering wheel. He acted as if he were an avenging angel intent
on ridding the world of scum.” (120). La Coste was a
priest at the time of this incident.
[6]
Motorcycles in the United States, 2–4.
[7]
Ralph Nader, Unsafe
at Any Speed (New York: Grossman, 1965).
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