Volume 5, Issue 2: Fall 2009

    

Fransen cover

The Road Worst Traveled

Book Review

An Anthology of Early British Motorcycling Literature

Edited by Tim Fransen

Essex-Dakar Books, 2009

ISBN-13: 978-0-9562467-0-7

 

 

 

 

Tom Goodmann

Editor Tim Fransen brings together three early twentieth-century narratives of motorcycle travel literature in a hefty volume that aptly plumbs the depths of what was once called British pluck. Captain W. H. L. Watson’s Adventures of a Despatch Rider, Lady Warren’s Through Algeria & Tunisia on a Motor-Bicycle, and C. K. Shepherd’s Across America by Motor-Bicycle take us across three geographical areas in one brief era, 1915 to 1922, modernism’s annus mirabilis, and the End of All That.  The wrap-around cover photo features C. K. Shepherd’s 1919 Henderson; a few maps and photographs accompany the texts throughout.  (Interactive color maps are available at http://essex-dakar.org/2009_mtl/.)  The texts have been sourced from the Internet Archive and as such bear the charm of their original respective typographies, including a few errors, and signal the temporal differences between then and now.

 

The proceeds from this volume support Riders for Health, a not-for-profit organization providing transportation for health workers in Africa (www.riders.org), sponsored both by MotoGP and by the Federation Internationale de Motocyclisme (FIM).  Along with the Editor’s Notes, there is a brief notice for the International Journal of Motorcycling Studies, and a Foreword by Steven E. Alford and Suzanne Ferriss, the editors of this journal, who frame these three narratives with keen reference to motorcycle cultural milestones from early women riders to the Long Way Down lads, and to broader theories of travel and travel writing. 

 

Watson’s diary-like account of his service as a dispatch rider in the early months of the First World War offers the tedium and terror of wartime witness: periods of waiting, boredom and leave-time excursions, leading to incidents of utter confusion and a few brushes with danger.  Along with his companions in motorcycle dispatch, and with the telephone and telegraph, when such communications were possible, Watson was part of the nervous system of the Entente forces; as such, he and his fellow dispatch riders were attached to a signal corps. His account contains little about the machine he rode, excepting episodes of mechanical failure; in a note he recommends the Blackburne as “the finest and most even-running of all motor-cycles,” preferring it to the Douglas and, presumably, the Triumph.  Sidecars were eventually attached to most dispatch vehicles; Watson’s bike clearly served him well on roads that were often blocked with troops and armament, slippery with rain and greasy mud, often made of bone-rattling pavé, and occasionally within the sites of enemy guns. 

 

Written as a series of letters between August 1914 and May 1915, what the entries lack in terms of narrative arc they more than compensate for in details of endless movement to temporary quarters, meals better and worse, military setbacks, broken communications, and pleas for support from a wider British public.  Lamenting in an introductory letter the death of his friend in this “monstrous war,” Watson adds, “Yet I am still meeting people who think that war is a fine bracing thing for the nation, a sort of national week-end at Brighton.”  He took part in military actions including Mons, the Marne, and Ypres; he survived to read about the horrors of Verdun and of the Somme that lay ahead.

 

Through Watson’s eyes we witness both the disintegration and the remarkable resiliency of life in town, village, and countryside (including his very good fortune in finding food and drink), and we are given his impressions, not always wholly kind, of many ordinary people caught in the middle of war.  Among momentary impressions, he relates the inability of himself and his comrades to understand members of the Lahore Division: “we could not even vaguely guess what they were thinking.”

 

Watson is nonetheless self-conscious about his relations to professional soldiers, aware of the sudden privileges afforded him: “Think for a moment of what happened at the beginning of August [1914].  More than a dozen ’Varsity men were thrown like Daniels into a den of mercenaries.  We were awkwardly privileged persons—full corporals with a few days’ service.  Motorcycling gave superlative opportunities of freedom.  Our duties were `flashy,’ and brought us into familiar contact with officers of rank . . . In short, we who were soldiers of no standing possessed the privileges that a professional soldier could win only after many years’ hard work.”  It is interesting to speculate why the military leadership thought Oxbridge men particularly suited for the motorcycle corps; the decision certainly signals an elite status to the assignment.

 

Of the various vehicles considered for a trip just after the war across Algeria and Tunisia—“public car, char-à-banc, or . . . private car”—Lady Warren and her companion, the otherwise unidentified “P.,” reject all because they make the travelers dependent on “the transatlantic company who have flooded the route with tourists.”  It is travel, not tourism, which Lady W. and P. have in mind.  Yet when “the idea of the motor-bike and side-car was first mooted,” she writes, “my spirit shrank within me—me, who had only once or twice, with blenched face and turned-up toes and bated breath, been threaded through traffic and whizzed around corners at what felt like the peril of my life, in a side-car!”  Still, when P. promises her only “little runs here and there from Algiers and other towns,” she is aboard. A four horsepower belt-driven renovated 1918 Triumph with a Dunhill sidecar was their vehicle for what turned out to be a journey of just over 1700 miles—though not all of them with the sidecar, as you may read.  Their average speed was 19 mph.  And of the early travelers in the volume, P. and Lady Warren enjoyed the best roads by far.

 

Lady Warren may be the best prose stylist of the three as well, writing with a great deal of verve and humor, often at her own expense.  Downplaying the value and adventurousness of her account for more seasoned veterans of North Africa, she narrates with a blend of condescension and the experienced traveler’s sense of acceptance.   Given the locus of the journey, her narrative is among the three most filled with commentary on matters ethnic, cultural, and historical.  It is clear as well that the route they planned to travel changed with the circumstances of weather, time, and bureaucracy, all of which both seemed to negotiate handily.  At one point, trying to reach Tunis via a frontier post, Lady Warren relates: “We were very tactful.  About thirty francs’ worth of tact and we were free.”  Following a wreck that sends the sidecar flying over the top of the bike, she inquires of P: “‘Are you dead?’ I said in a feeble voice; and when he said, ‘No, are you?’ I realized that we really had escaped.”  The next day, sore from the accident, and contemplating the purchase of just the right hat before entering hotels, she offers: “It is the moral support lent by the assurance that one’s taste in hats is of the super quality.  One knows this by looking at the atrocities with which other people proclaim their satisfaction . . . .”  The woman’s sense of fashion was not to be ruffled by a sidecar wreck.

 

C. K. Shepherd’s Across America by Motor-Cycle nicely bookends Watson’s wartime dispatch diary.  Of the three volumes, Shepherd’s is written most emphatically from the handlebars.  Instigated by “that haunting feeling of unrest, which as a result of three or four years of active service was so common amongst the youth of England at that time,” Shepherd’s “trot round America” (contemporary terms that are typically deflationary and diminutive) is narrated with a good measure of dash-and-pluck style.  On several occasions, besides scheduled services, he is clearly handy at getting his broken machine back on the road, fishing parts from the “natural gravel” (i.e. dirt) road surface, and reassembling the machine. Nor does being thrown from his motorcycle nearly one hundred and fifty times in the course of his journey, along with the numerous breakdowns, dampen his enthusiasm for motorcycle travel. And he reports, remarkably, that aside from repairing punctures, he rode into San Francisco on the same set of tires on which he left New York.

 

His often arch appraisals of the variety of American characters he meets are as entertaining as his bemused transcripts of lingua Americana, and lists of place-names and populations in which he seems to take absurd delight.  All the same, he remarks more than once on the friendliness with which he is usually greeted across the country, a manner to which strangers, he says, are unused in his native England.  There is also good humor in his acerbic appraisal of American roads in 1919: “I have seen places in Broadway where the tram-lines wander six or seven inches above the surface of the road and where the pot-hole would accommodate comfortably quite a family of dead dogs within their depths.  So much for the cities.  The roads that traverse the country are with few exceptions nothing better than our fifth-rate country roads on which no self-respecting Englishman would ride.”  Noting the machine’s uses restricted to trade and delivery, Shepherd sees the motorcyclist as “an altogether despised individual in America,” adding that in his entire journey of nearly five thousand miles he saw only four other motorcyclists.

 

Tim Fransen has done a great service to cultural studies in general and to travel and motorcycle studies in particular in compiling this excellent volume, which invites repeated readings; it will be very useful in any number of university courses.  Each of these narratives is distinctive in focus and style, while all are equally interesting as social texts, as the narrators blithely offer their evaluations of every sort of people that they meet.  Still, allowing that any additional explanatory notes (Watson’s text includes some of his own) are nearly impossible in the circumstances of reprint publication, it would be useful to have even the briefest biographical information about each of our “motagonists,” as well as indices to aid research. That said, these three memoirs of motorcycle messaging and travel enrich the historical record of the machine in an attractive and substantial volume, a weighty vade mecum on or off the road.

 

Reading theses pages, we slabmeisters and rockhoppers may take note: we ride machines offering reliability and comfort a world away from what these travelers gamely rode.  And to read these accounts is to be reminded that our own restlessness is nothing new.  From a world that seems far away, these accounts engage us with an era when wartime communications and post-war travel (as distinct from tourism, as the volume’s introduction suggests) particularly by “motor bicycle” offered more unavoidable adventure than many a modern GS may ever see.

 

The anthology can be purchased at http://www.essex-dakar.org/

 

Feel free to post your reactions to our web board and continue the conversation with other readers.

Login here: http://www.nova.edu/WWW BOARD/FAR/ijms_ferriss

The login is ijms

The password is vroom

(Please note that login and password are all lowercase.)

 

 

Images and text copyright © International Journal of Motorcycle Studies